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Still, while Cardi’s verse manages to make the song digestible, it’s still not an enjoyable listen. “I’m sure them other girls were nice enough, but now you need someone to spice it up,” Cardi raps over a trodding, mundane beat. The same applies to this song and Cardi knows it. It only made whatever bland, spice-less white/brown rice concoction was sitting in front of me tolerable.
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As a Mexican, I grew up drowning my friends’ parents’ food in cholula, tapatio, and limón, but it never made their food taste good. Stephen Eisermann: Someone needs to remind A&R reps that sprinkling something good on something bad doesn’t suddenly make the bad good. Hell, Cardi (likeable but not much more here) would probably even find the Mayer more conducive to rapping over. But while I suspect that of the two I’ve liked more songs Levine has sung, in this case he comes up the worse of the two in pretty much every respect, with both production and lyrics feeling so generically mawkish it’s hard to feel much of anything about them. Ian Mathers: In terms of bros I guess we have to put up with in pop culture, Adam Levine and John Mayer have always seemed like pretty balanced opposites, so it makes sense this feels a bit like the anti-“New Light”. This sort of autopilot, chart-oriented R&B doesn’t make much of a case for the continued existence of Maroon 5 in 2018 neither does drafting in the pop phenomenon du jour to phone in a dreary cameo. Vikram Joseph: The little palm-muted guitar figure that leads in “Girls Like You” is the only thing that doesn’t sound entirely generic here. But I know that it’s surely made me feel a little fonder every time I hear this on the radio.
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I have no idea what Maroon 5 is going for here or if they’ve hit the mark they were hoping for, but something about this does it for me against my better judgment. It’s a wonder seeing so many women on screen dancing around, having fun, singing to you: I need a girl like you, something that feels oddly empowering. But the video takes the song from being bland and lifeless to something almost joyous. I hate admitting that I’ve cried to something accompanying a Maroon 5 song of all things somehow that’s one of the more embarrassing things I can cop to in my life. Yet the video has made me tear up each time. The song too.Īlex Clifton: I’ve listened to this song three times and I can’t tell you much about the actual track itself, other than Adam Levine sounds as uninspired as he has for the past ten years and that Cardi’s verse is the most interesting thing in a fairly slow-moving song. Too human a gesture for a space this blank. Meanwhile Cardi gets to make like Jean Harlow and Mae West, reminding him that if he keeps pretending to play that guitar she’ll return to playing with herself. The zealotry with which the guitar plucks are mixed is supposed to adduce its humanity. “Girls Like You” is another one of those condescending valentines in which dudes like Levine specialize: after he’s fucked around, maybe with her friends, he’s going to settle on a girl like her, etc. From the cliched “cute” lyrics, to Adam Levine sounding bad even when out of his chest voice, to the caucasian “Nice For What” video, I hate almost everything about this.Īlfred Soto: Sensing the waning of the American public’s interest in their latest material, Adam & the Levines, ampersand trademarked, have recruited female artists whose charisma and delight in wordplay exceed the name above the credits. Tobi Tella: Maroon 5 are so inescapably dull that they’ve managed to make Cardi B, someone who thrives on personality, boring too. Proving that we won’t in fact like any old tat as long as Cardi B’s name is on it… Donnie Trumpet & the Social Experiment.Email (song suggestions/writer enquiries).